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・ Visions of the Emerald Beyond
・ Visions of the Future
・ Visions of the Lifted Veil
・ Visions of the Past
・ Visions of the Seeker
・ Visions of the Universe
・ Visions Of...
・ Visions-Partiet
・ Visionseeker
・ Vision of a Knight (Raphael)
・ Vision of Disorder
・ Vision of Disorder (album)
・ Vision of Ezra
・ Vision of Love
・ Vision of Peace (Indian God of Peace)
Vision of Saint Jerome
・ Vision of Sorrows
・ Vision of St. John on Patmos
・ Vision of the Future
・ Vision of the Valley of Dry Bones
・ Vision of You
・ Vision On
・ Vision Park
・ Vision Quest
・ Vision quest
・ Vision Quest (novel)
・ Vision Quest Records
・ Vision Racing
・ Vision Racing (NASCAR)
・ Vision Radio Network


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Vision of Saint Jerome : ウィキペディア英語版
Vision of Saint Jerome

The ''Vision of Saint Jerome'' is a painting by the Italian Mannerist artist Parmigianino, executed in 1526–1527. It is now in the National Gallery, London, United Kingdom.
==History==
The work was commissioned on 3 January 1526 in Rome, by Maria Bufalini, wife of Antonio Caccialupi, to decorate the family chapel in the church of San Salvatore in Lauro. The contract mentioned "Francesco Mazola de Parma" an done "Pietro" with the same name, perhaps Parmigianino's uncle Piero Ilario Mazzola. The elongated shape derives from its original destination as part of a triptych, whose sides (never painted) should represent the ''Immaculate Conception'' (to which the chapel was dedicated) and the ''Sts. Joachim and Anna''.
According to late Renaissance art biographer Giorgio Vasari, Parmigianino was working to this painting during the Sack of Rome, and he had to stop when the city was ravaged by the imperial troops. He was able to escape paying a ransom, while his uncle remained in Rome, being able to hide the painting in the refectory of Santa Maria della Pace.
In 1558 the Bufalini family decided to move it in their chapel in Sant'Agostino at Città di Castello, from where it was acquired in 1790 by the English painter James Durno. In England, it was sold to the Marquess of Albercon for 1,500 guineas, then, after a series of changes of hand, to the National Gallery, in 1826.
There are preparatory drawings in the Musée Condé, the British Museum and other museums, for a total of some twenty. A drawing in the Galleria nazionale di Parma is the one which is more similar to the final version, although showing a horizontal composition.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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